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Stevie Ray Vaughan’s guitar tone was as dry as a San Antonio summer and as sparkling clean as a Dallas debutante, the product of the natural sound of amps with ample clean headroom.However, Vaughan occasionally used pedals to augment his sound, mainly to boost the signal, although he occasionally employed a rotating speaker cabinet and wah pedals for added textural flair.

When Vaughan started playing increasingly larger venues in 1983, he added a pair of Super Reverbs to his rig, which he used along with his Vibroverbs.An exceptionally versatile and impressive sounding guitar rig suitable for use in the studio or on stage ...,500.00 M, combo amp features beautifully figured maple top and back, rosewood sides, Celestion Alnico G10 speaker and custom heavy duty deluxe padded cover.Impressed with the Dumble amp’s ability to maintain crystal-clean tone even when subjected to his aggressive low E string attack, Vaughan custom-ordered a Steel String Singer head, which Dumble beefed up with 6550 tubes and 150 watts of output instead of the model’s usual 6L6 tubes and 100 watts.Vaughan usually used his Dumble head with a custom-built 4x12 cabinet loaded with Electro-Voice speakers.

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