The dating guy shrink
(On the Mad Men set, he says, he showed up every day thinking, “I’m going to be the best person on this show.”) Applying those drives to a Hollywood career can be a tricky endeavor right now, at a time when even movies based on comic books need to be dumbed down for a global mass audience. (“A disaster—a real disaster.”) And, on a personal note, there are the paparazzi who still stalk Hamm in Los Feliz from behind their cars’ tinted windows, hoping to catch him picking his nose.
Hamm says he’s eager to start “self-generating” projects in the manner of actor-producers like Brad Pitt and Reese Witherspoon: “These guys find something they want to do, and they take it to Warner Bros. It’s all enough to make one wonder: What would Don Draper do?
With his Blues cap, bro-ish saunter, and generic outfit (a blue American Apparel shirt, black jeans), Hamm goes mostly unrecognized in the restaurant.
For much of his life, he says, he’s been “oblivious” to fashion, but that changed when he began suiting up for his role in Mad Men. RELATED: Jon Hamm’s Changing Looks Does Hamm pay much attention to what women wear? “I’m a heterosexual male, and I love a lady with style.” Aside from a few “ridiculous” fashion trends that leave him bewildered, Hamm likes it when a woman is confident enough to express her individuality through her clothes.
On most fronts these days, Hamm seems determined to tune out trivialities in favor of all things substantive and real.“I’m certainly damaged—there’s no denying it,” he says. ’ But if you look at the history of my life, it’s not great.“I was talking to my therapist yesterday, and she was newly flabbergasted at something I told her. When your mom dies when you’re 9, and your dad dies when you’re 20, and then you live on couches in other people’s basements …This month he turns villainous in Baby Driver, a heist film–cum–romance in which Ansel Elgort’s character drives the getaway car for a gang of bank robbers played by Jamie Foxx and Kevin Spacey, among others.Hamm had fun strutting around with his arsenal of guns, but the biggest draw for him was English director Edgar Wright (Shaun of the Dead), who propels the story with innovative editing and musical flourishes, even synching the soundtrack with the gunshots.